Carolino/Delgado/Frazao (2004) By Derek Taylor Western improvised music has long prized the possibilities that arise out of conjoining potentially dissimilar elements. Strange-seeming instrumental unions have now almost become the norm. Oboe, harp and drums. Sopranino, mandolin and contrabass. Odds are if you can conjure up a particular assemblage of instruments in your mind's eye, precedence exists for improvisors putting it into practice.

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